Most people have some degree of difficulty in understanding art, especially modern art. In the following, someone at Quora tried to answer “why is modern art/painting very difficult to understand.”
Modern art paintings are the best way to portray the unseen on the canvas. It is about the expression of emotions and feelings on and is not what you see at the very first glance. It can have many interpretations when seen through different angles. If you want to know more about modern art, then you can also read “Why is the New Art So Hard to understand”. It is a book written by Theodor Adorno, a German social theorist who shed more highlight on this concept that why Modern art paintings are so hard to understand modern art. Although the book was written in 1931, it is still relevant in today’s era.
Since modern art is not easy to understand, visitors often keep quiet in the gallery. However, in the Tate Liverpool, UK, several British students gathered together and discussed something in front of the London subway map. They actively discussed several British celebrities to answer the questions in the map, which looked fresh to me. What made me surprised was the very last, underlined, sentence in a piece of paper under the map.
Simon Patterson born 1967 (Born and work UK) / The Great Bear 1992 (Lithograph on paper)
While this appears to be a standard map of the London Underground, the name of each station has been changed. Patterson has swapped the real station names for those of footballers, actors, and other celebrated figures. The image challenges our expectation that we can trust maps and diagrams. Sometimes Patterson seems to be making jokes with his choices. For example, Gary Lineker, who never received a yellow or red card as a football player, sits at the connection between footballers and saints.
What do you think about artists taking and changing existing images?
This sentence, probably written by a curator, relieved me a lot. It allowed me to fail to understand the artist’s intention. It allowed me not to agree with the artist’s opinions. Indeed, I was allowed not to consider it as art.
Interestingly, the curator added one to two sentences under the whole art pieces in the gallery. These additionally added sentences made the Tate Liverpool more friendly and approachable. Easy is better than difficult.
We propose that people weight fluent, or easy to process, information more heavily than disfluent information when making judgments. Cue fluency was manipulated independent of objective cue validity in three studies, the findings from which support our hypothesis. In Experiment 1, participants weighted a consumer review more heavily when it was written in a clear font than in a less clear font. In Experiment 2, participants placed more weight on information when it was in focus than when it was blurry. In Experiment 3, participants placed more weight on financial information from brokerage firms with easy to pronounce names than those with hard to pronounce names. These studies demonstrate that fluency affects cue weighting independent of objective cue validity.